The harmonic major scale aka Ionian b6 mode or Ethiopian scale is built the same way as the diatonic major scale, but with a lowered 6th.
This scale is not very well-known but can be interesting for those who want to add more exotic feel to their jazz improvisations, even if it is difficult to use because it sounds a little bit weird and dissonant.
Formula Chart
As shown in the chart below, the harmonic major scale interval pattern is W - W - H - W - H - WH - H, giving the formula : 1 (root) - 2 (second) - 3 (third) - 4 (fourth) - 5 (fifth) - b6 (minor sixth) - 7 (seventh).
The Harmonic minor scale is characterized by its distinct sound, which blends elements of both major and harmonic minor scales.
The formula for the harmonic major scale is 1 2 3 4 5 b6 7, where the "b" indicates a lowered sixth degree compared to the major scale.
C Harmonic major scale | C | D | E | F | G | Ab | B |
Formula | 1 | 2 | 3 | 4 | 5 | b6 (b13) | 7 |
Intervals | W | W | H | W | H | H+W | H |
The harmonic minor scale is sometimes reffered to as Ethiopian scale or Nat Bhairav (Indian scale).
Comparison With The Harmonic Minor Scale
You see that the harmonic minor scale has a b3 whereas the harmonic major scale has a major third (3).
C harmonic major scale | C | D | E | F | G | Ab | B |
Formula | 1 | 2 | 3 | 4 | 5 | b6 (b13) | 7 |
C harmonic minor scale | C | D | Eb | F | G | Ab | B |
Formula | 1 | 2 | b3 | 4 | 5 | b6 (b13) | 7 |
Triads Built From The Harmonic Major Scale
There are four types of triads in the harmonic major scale:
- Two major triads (degrees I and V).
- Two minor triads (degrees III and IV).
- One augmented triad (sixth degree).
- Two diminished triads on the second and seventh degree.
Exemple in the key of C :
- Cmaj (C-Eb-G)
- G maj (G-B-D)
- Em (E-G-B)
- Fm (F-Ab-C)
- Abaug (Ab-C-E)
- Ddim (D-F-Ab)
- Bdim (B-D-F)
Seventh Chords Built From The Harmonic Major Scale
When stacking thirds on each degree of the harmonic major scale we get seven chords. These chords can be extended with a 9, 11 or 13 and arpeggiate in order to create interesting jazz lines.
- I maj7 (9, 11, b13)
- ii m7b5 (9, 11, 13)
- iii m7 (b9, b11, b13)
- iv minMaj7 (9, #11, 13)
- V7 (b9, 11, 13)
- VI maj#5 (#9, #11, 13)
- vii dim7 (b9, 11, b13)
This short exercise consists in playing a repetitive C harmonic major line with four drop 2 C major 7 chords.
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Last edited: 2024-04-16
Comments
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- 1. Bc On 2023-11-09
It’s that not 14th fret on last chord in that last line exercise in the last drop 2 chord for c maj7 cause it is and 10th fret fourth string with that sound awful by the way. Haha.there have been several misspellings and “mis-worded” if you will in the wonderful material and references you have so kindly take the time to make and provide to anyone that cares about being an expert guitarist. I just figured I bust ur balls about getting the tab wrong at the bottom of harmonic major lesson.-
- jazz-guitar-licksOn 2023-11-16
Corrected Thanks.
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