Arpeggios And Chords Of The Major Scale For Guitar - Free PDF
- By jazz-guitar-licks
- On 2024-09-23
- In Scales & Arpeggios
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Here’s a breakdown of seventh arpeggios and their related chords based on the major scale for guitar.
An arpeggio is essentially the notes of a chord played individually.
Seventh arpeggios add a fourth note (the seventh) to each triad, giving a more complex and richer sound.
In this guitar lesson, we'll be focusing on the arpeggios of the seventh chords derived from the G major scale.
You'll find the free PDF (or name a fair price) here in the GUMROAD Store.
G Major Scale Arpeggios
In the G major scale (G, A, B, C, D, E, F#), the diatonic seventh chords and their corresponding seventh arpeggios are as follows:
Degree I : Gmaj7
Degree ii : Am7
Degree iii : Bm7
Degree IV : Cmaj7
Degree V : D7
Degree vi : Em7
Degree vii : F#min7♭5
These chords and arpeggios are built by harmonizing the major scale in thirds.
The quality of the chords / arpeggios is the same for each degree of any scale.
Arpeggio And Chord Shapes
Here are some basic shapes showing the association between arpeggios and chords of the major scale :
Degree I - Gmaj7
The arpeggio built on the first degree of the major scale is a major 7 arpeggio made of :
Tonic (1), major third (3), perfect fifth (5) and major seventh (7).
Example with Gmaj7 (G, B, D, F#)
Degree ii - Am7
The arpeggio built on the second degree of the major scale is a minor 7 arpeggio built with :
Tonic (1), minor third (b3), perfect fifth (5) and minor seventh (b7).
Example with Am7 (A, C, E, G)
Degree iii - Bm7
The arpeggio built on the third degree of the major scale is a minor 7 arpeggio built with :
Tonic (1), minor third (b3), perfect fifth (5) and minor seventh (b7).
Example with Bm7 : (B, D, F#, A)
Degree IV - Cmaj7
The arpeggio built on the fourth degree of the major scale is a major 7 arpeggio built of :
Tonic (1), major third (3), perfect fifth (5) and major seventh (7).
Example with Cmaj7 : (C, E, G, B)
Degree V - D7
The arpeggio built on the fifth degree of the major scale is a dominant 7 arpeggio built with :
Tonic (1), major third (3), perfect fifth (5) and minor seventh (b7).
Example with D7 : (D, F#, A, C)
Degree vi - Em7
The arpeggio built on the sixth degree of the major scale is a minor 7 arpeggio built with :
Tonic (1), minor third (b3), perfect fifth (5) and minor seventh (b7).
Example given : Em7 (E, G, B, D)
Degree vii - F#min7♭5
The arpeggio built on the seventh degree of the major scale is a minor 7 flat five arpeggio also named Half-Diminished. It is made of :
Tonic (1), minor third (b3), diminsihed fifth (b5) and minor seventh (b7).
Example with F#m7♭5 : (F#, A, C, E)
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