lesson
-
1 3 5 b5 Pattern & Cycle OF Fourths - Guitar Warm-up Exercise
- By jazz-guitar-licks
- On 2023-07-19
- 0 comments
This warm-up exercise for beginner guitarists is designed to help you build dexterity, finger strength, and familiarize yourself with the essential intervals within the context of the cycle of fourths.
-
Intervals on Guitar - Shapes and Theory
- By jazz-guitar-licks
- On 2019-12-23
- In Jazz Guitar Lessons
- 0 comments
Whether simple or compound intervals are a very important part of music theory.
Knowing them allow understand how scales, arpeggios and chords are built.
Intervals are useful tools to visualize the notes and understand their relationships on the guitar fretboard.
This lesson with downloadable pdf, guitar shapes and theory will help you better figure them out and play them on guitar.
-
NEW PDF eBook available | 11 blues-jazz progressions for guitar | Chords and comping studies
- By jazz-guitar-licks
- On 2017-02-12
- 0 comments
A new printable PDF eBook is available. It's about 11 blues progressions for jazz guitar with tabs, analysis (with roman numerals), explanations and audio files, divided into four chapters :1- Blues progressions and variations
2- Chord studies
3- Guitar walking-bass studies
4 -Rhythm patterns -
21 Jazz guitar licks with tabs on youtube
- By jazz-guitar-licks
- On 2016-11-05
- 0 comments
A new video has just been uploaded on the youtube channel. This lesson contains the 21 most recent jazz guitar licks & transcriptions posted on the channel.
Here is the summary :
- 10 Kenny Burrell licks
- II-V7alt-I lick
- Clifford Brown solo transcription
- Eric Gale solo transcription
- Grant Green airegin solo transcription
- Duet in F - Berklee
- John Scofield Wee #1
- John Scofield Wee #2
- John Scofield Wee #3
- Dominant 7th lick
- Soul jazz lick
- Jazz blues lick
-
How To Play Altered Jazz Guitar Lines Using a Major Triad
- By jazz-guitar-licks
- On 2016-11-03
- 0 comments
When you want to play altered jazz guitar lines over a dominant 7th chord, there is an easy and efficient option that is to play a major triad starting on the #11 of the chord you want to improvise over. This way you highlight the b7, #11 and b9 and add tension to your playing.
Let's take an example with a II-V-I sequence in the key of C major. The progression is Dm7 | G7alt | CMaj7.
