I-VI-II-V
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Jazz Swing Backing Track - 1 6 2 5 Chord Progression In Eb - YouTube Video
- By jazz-guitar-licks
- On 2021-12-30
- In Backing Tracks For Musicians
- 0 comments
This is a jazz swing backing track (140 BPM) for practicing scales, arpeggios and improvisation with your favorite instrument over a 1 6 2 5 chord progression in Eb. This jamming track is provided by Backing Tracks Channel, it implies four chords that are Ebmaj7 | Cmin7 | Fmin7 | Bb7.
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Jazz Guitar Lines Over Classic Jazz Chord Sequences - PDF, Video, Tab and Chord Shapes (part 3)
- By jazz-guitar-licks
- On 2021-11-19
- 0 comments
This lesson is the third part of the serie "Jazz Guitar Lines Over Common Chord Changes" that provides easy jazz guitar licks for beginners to play over II V, II V I and I IV II V progressions. These lines are majoritarily built with the major blues scale, the Mixolydian mode and a whole-tone scale motif.
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Arpeggios Over II V I and I VI II V Chord Changes - Guitar Lesson With PDF, Shapes and Video (part 2)
- By jazz-guitar-licks
- On 2021-11-13
- In Jazz Guitar Lessons
- 0 comments
In this guitar lesson with shapes, tab, video and analysis you will learn how to use seventh arpeggios over important jazz chord sequences as minor & major II V , major II V I and I vi ii V progressions. You'll find the link to the PDF at the bottom of the page.
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Jazz Guitar Phrases Over Common Changes - II V I and I VI II V - PDF With Tab, Shapes and Video (part 1)
- By jazz-guitar-licks
- On 2021-11-09
- In Jazz Guitar Lessons
- 0 comments
This short jazz guitar study with tab, score and chord charts provides some easy jazz lines to apply over three common chord progressions found in jazz. These licks will help you better understand what scales and modes can be used over basic chord changes. You'll find a link to the free PDF at the end of this lesson.
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The Tritone Substitution - Guitar Lesson With Theory and Tabs
- By jazz-guitar-licks
- On 2017-04-13
- 2 comments
The tritone substitution sometimes referred to as dominant chord substitution is one of the most popular harmonic technique found in jazz and other styles of music.
It involves replacing a dominant seventh chord with another dominant seventh chord located a tritone (or augmented fourth) away from the original chord's root.