Jazz guitar chord voicings - II-V-I progression - 5 Exercises

Jazz guitar chord voicings - II-V-I progression - 5 Exercises

• Bar 1: Fmaj9 (1, 3, 7, 9) diatonic substitute for Dm7.
• Bar 2 : Diminished  7 substitute for G7 (1, b5 , bb7, b3).
• Bar 3 : Second inversion of Cmaj7 (drop2) (3, 7, 1, 5).

• Bar 1 : Drop 2 Dm7 inversion, fifth in the bass (5, 1, b3, b7).
• Bar 2 : Diminished 7 substitutes for G7 (1, b5, bb7, b3).
• Bar 3 : Drop 2 Cmaj7 (1, 5, 7, 3) and its second inversion (3, 7, 1, 5).

• Bar 1 : Rootless Dm11 third in the bass (b3, b7, b3, 11).
• Bar 2 : G7#5 (7, 3, #5, 1).
• Bar 3 : Rootless Cmaj7 (5, 7, 3, 5).

• Bar 1 : Drop 2 Dm7 inversion, fifth in the bass (5, 1, b3, b7).
• Bar 2 : Two diminished 7 substitutes for G7 (1, b5, bb7, b3).
• Bar 3 : Drop 2 Cmaj7 inversion (3, b7, 1, 5).

• Bar 1 : Dm9 & Dm7add13.
• Bar 2 : Two diminished 7 substitutes for G7 (1, b5, bb7, b3).
• Bar 3 : Only one  note moves to get from Cmaj7 seventh in the bass (5, 7, 3, 7) and Cmaj13 (5, 7, 3, 13).

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